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          Gives readings throughout Britain,
            Europe and elsewhere, at festivals or one-off events. 
Runs workshops for adults and
            children. Frequent tutor of Arvon Courses. Writer in Residence at
            Arts Centres (South Bank Centre), Universities (UEA; Reading),
            Poetry Festivals (Aldeburgh; Ledbury, Stanza) and other
            organisations. Regular visitor of schools, both primary and
            secondary, including International Schools around Europe.
Experienced in cross-arts projects,
            in the South Bank Centre, Barbican Centre, Tate Gallery and
            elsewhere, working with composers, visual artists, filmmakers,
            animators, jazz and rock musicians.
Judge of Poetry Competitions on many
            occasions, including the National Poetry Competition and the Cardiff
            Open, but also many smaller competitions.
Book reviews for the Observer,
            Times Educational Supplement and Poetry London.
Frequent involvement in radio
            programmes for BBC and other organisations. Occasional television
            and video work.
Currently trying to finish a
            long-delayed book of stories, and well into a new collection of
            poems (many of which have been appearing in periodicals). There is also
            another children's novel that is awaiting publication, and  a half-written joint
            novel, with John Hartley Williams - a satirical thriller, set in the
            world of contemporary poetry.    
 
          Sanctuary (Cape,
          2004) Selected Poems (Cape,
          2002); a variant of this published in Canada, in 2002, under the title
          A Picnic on Ice by Signal Editions, Vehicule Press. Up on the Roof: New and
          Selected Poems (Faber, 2001) A Smell of Fish (Cape, 2000) The Bridal Suite (Cape, 1997) Emergency Kit: Poems for Strange
          Times(Faber, 1996); co-editor (with Jo Shapcott).
 More
        publication details here...   
 
      "Twenty five years'
      work finds Sweeney at fifty with a rich trove of memorable, funny,
      alarming poems whose very readability at times disguises their complexity.
      Here is a poet who has never allowed himself to be distracted - a poet,
      too, whose work all those of us who think we know it well had better read
      afresh."Sean O'Brien, reviewing Sweeney's Selected Poems, Poetry London
 'Funny, surreal, tender,
      fantastic, earthy... ' 
      (Helen Dunmore) "He is the true master
      of secret narratives... one of the best poets around."John Lucas
 "He is probably the
      best example of modern pan-Europeanism in poetry.... Poets will
      unmistakably see its freshness, its diversity and its originality. And it
      is exactly this fact that makes Sanctuary a must-read."Nicolas Cobic, The Wolf
 "Sweeney keeps returning to the
      thought of how much we have to negate in our effort to be ourselves, to
      stay alive... Sweeney's imagination is fascinated by all the ways we say
      no to experience, and how those denials build an enigmatic and above all
      deeply personal architecture around us."Clair Wills, The Irish Times
 "Here is the fabulist's art,
      simplicity of statement, a close logic in the sequence of actions, an
      economy of images and characters. The effect is utterly cogent, yet it
      defamiliarises what we know. Perception and logic are both exact, but
      re-aligned at a slight variance from each other. We have seen this
      defamiliarising purpose in Kafka, and in the work of Vasko Popa, Miroslav
      Holub and others, but Sweeney makes of the method his own world."Alan Gould , Quadrant
   
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